- Spectrasonics trilian review futuremusic how to#
- Spectrasonics trilian review futuremusic full#
- Spectrasonics trilian review futuremusic plus#
- Spectrasonics trilian review futuremusic professional#
sadly there is no travel bag available for the Rise 25. the Midi setup can be a bit difficult and you need some time to adjust to the softness of the keyboard but basically, anyone can get some amusing results on the Seaboard instantly. you have to get used to the feeling of the soft keys
Spectrasonics trilian review futuremusic full#
+ the software (Equator and Strobe2) gives you full control of the sound design + the detail of the presets and the overall sound quality is impressive
Spectrasonics trilian review futuremusic professional#
+ the Seaboard, in general, is a high-quality product with sophisticated possibilities and if you practice really hard you may become one of the first professional Seaboard players in the World.
+ the RISE 25 is very well made and comes elegantly packet.
Spectrasonics trilian review futuremusic plus#
Here a quick list of pros and cons: On the plus side: They enhanced the design, the functionality, and idea of the Seabord very well. The development of ROLIS original masterpiece the Seaboard GRAND (out of production) to the current RISE and BLOCK models shows that ROLI really cares about the quality of their products.
Spectrasonics trilian review futuremusic how to#
Here is a quick and detailed video by Danny J Lewis on how to handle the MIDI data properly: The setup of the Seaboard as a MIDI Controller can be a bit tricky. The represented MIDI data can be used to control VST Instruments like Serum by Xfer Records or Omnisphere by Spectrasonics in a very complex and versatile way. This information is transmitted as MIDI CC 74. Its also possible to slide vertically along the keys. The pressure of your finger holding the key changes the aftertouch and if you glide horizontally while holding the key you modulate the pitch bend. The main performance benefits come from ROLIS 5D Touch system.Ī strike corresponds to the MIDI message of note-on and velocity.
I chose the RISE 25 because I wanted studio performance possibilities as well as the flexibility to go outside and jam with my friends. The hype around the ROLI Seaboard motivated me to join the movement and experience the „Future of the keyboard“ myself. Its a powerful performance workstation with touch-sensitive keys, and additional modulation pads for full control of the sound. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Spectrasonics sound development.The Seabord adds unique perspectives and expression features to the performance spectrum of the usual midi keyboard. *All other manufacturers' product names used in this instrument are trademarks of their respective owners, which are in no way associated or affiliated with Spectrasonics. It took some time.but was a lot of fun and it makes for a real "head-turner" of a demo track! Reversing beats and chopping it up to add stutter FX in the mastering. The real fun then came in the 2-track editing process, with EP doing hundreds of "Squarepusher Razor-blade" edits in Bias Peak, muting beats. Bob sequenced the uptempo Jazzy track.then EP went to work on it, adding more Stylus RMX parts, using the RMX LFOs for heavy filtering and panning tricks and adding the heavily effected Trilogy Bass part. This is the demo that we get the most "how did he do that?" questions about.
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